"The Impossible"

 

I recently re-watched the 2012 movie The Impossible, the true story of one family’s experience with the 2004 Indian Ocean tsunami. It stars Naomi Watts (who was nominated for the Best Actress Academy Award), Ewan Macgregor, and a young Tom Holland.

It’s even better than I remember it and very moving. Highly recommended.

The reason I’m writing about The Impossible now is because I’m going to talk in my Easter Sunday sermon about the real-life experience on which the movie is based and I’d love for folks to watch the movie before coming to church Sunday. It’s currently streaming for free on Amazon Prime, and is of course also available through other streaming services as well.

Let me know if you get a chance to see it before Sunday.

Here’s an extended clip of the wave hitting the Thai resort where the family is spending the Christmas holidays. Warning: not for the faint of heart.

 

Oscar Grace

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A moment of grace can change everything.


I remember watching the Academy Awards in 2004. Bill Murray—one of my favorite actors—had been nominated for the Best Actor Oscar that year for his movie Lost in Translation.

At the Oscars, the camera lingers on the faces of each of the losing nominees after the winner has been announced. (We like to see the pain and disappointment of others, I suppose.) I remember Bill Murray looking particularly crushed when Sean Penn was announced as the winner. He had to have known that he’d never get back there again, particularly as he has made a career as a comic actor and not as someone who takes on the sorts of dramatic roles that are like catnip to the Academy.


I was reminded of that moment when I saw the award given for Best Director at last night’s 2020 Academy Awards. The Korean director Bong Joon-Ho was announced as the winner, and then the camera lingered on the faces of the four losing directors: Martin Scorsese, Quentin Tarentino, Sam Mendes, and Todd Phillips. (I thought Mr. Phillips looked particularly disappointed.) Seeing the real-time disappointment of men who have been working their entire lives to win something made me uncomfortable; I felt sorry for them.

And then Bong Joon-Ho made his speech, and the entire feel of the moment changed. The whole thing is worth watching.


Watch Bong Joon Ho's Oscar 2020 acceptance speech for Directing for PARASITE. Watch more highlights from Oscars 2020 on Oscar.com and in the ABC app!


Mr. Bong first deftly recognizes Martin Scorsese in such a pure and heartfelt way that the entire audience gives Martin Scorsese a standing ovation. Then, he credits Quentin Tarentino with generously promoting his films in American when no one had heard of him, and then he tells Todd Phillips and Sam Mendes that he wishes he could cut the Oscar statuette in pieces and share it with them. Todd Phillips grins. It’s as if grace has been poured out on the entire theater, with everyone just grateful to be there and experience it.

It’s such a beautiful moment.

Grace changes everything.

Vive La France

Annex - Bogart, Humphrey (Casablanca)_15 The singing of?La Marseillaise?from?Casablanca,?one of my favorite scenes in all of film, seems especially appropriate today?after?the murders this morning at the?Charlie Hebdo?offices in Paris.[embed]https://www.youtube.com/watch?v=HM-E2H1ChJM[/embed]Some quick thoughts:

  • Note how virtually everyone goes along with the Nazi song at the beginning, because they are afraid of being different;
  • Note Victor Laszlo‘s face of determined courage as he stands on the balcony with Rick and hears the Nazi song;
  • Note how Elsa looks at Victor as he walks purposefully to the orchestra (she knows what he‘s capable of);
  • Note how it takes one man‘s courage to put courage in others;
  • Note how Elsa looks at Victor once the singing catches on;
  • Note how the Nazis prepare to use violence once they can‘t bully and propagandize their opponents into silence. (The clip ends at the point at which the Nazis force the closing of Rick‘s Cafe.)

I want to be a man like Victor Laszlo; I?d like to earn the right for my wife to look at me the way Elsa looks at him. Vive La France. Vive La Libert?. (Credit to?Rod Dreher?for reminding me today about that scene from?Casablanca.)

"The Kind of Woman You Should Marry"

It's one of those things my dad said that I'll never forget: "That, boys, is the kind of woman you should marry."My wife and I, after hosting 180+ folks at our house for a church X-mas party, 12/7/14.

My Dad's Life Lesson About Marriage

My dad isn't the kind of guy who sits his sons down and says, "I'm going to share with you a life lesson, so be sure to pay attention." But, from time to time over the years, he would say something about life in an offhand way,and because it didn't happen very often and never seemed forced or planned, I'd remember what he said. This is what he had to say about marriage.

The Run on the Savings and Loan

We were watching?It's a Wonderful Life;?I was probably in my early twenties and home for Christmas. In the movie, George Bailey wants to travel and see the world, and he and his new bride Mary have scraped and saved to make it possible. It's their wedding day, and George and Mary are about to leave Bedford Falls for their honeymoon when George gets word that there has been a run on the bank his family?owns, Bailey Bros.Building and Loan. (It's during the Great Depression.) Banks are?closing right and left, but if the Savings and Loan closes it will be a social disaster, because Bailey Bros. Building?and Loan is the only bank in town not run by greedy Mr. Potter. Mr. Potter wants to keep the poor and the immigrants in debt; Bailey Building?and Loan offers the poor and the immigrant a way out of poverty and into home ownership. If the old Building?and Loan goes under, Bedford Falls will be a worse place to live

Here's the Scene

Watch the whole 6:44 clip--it's worth it.[embed]https://www.youtube.com/watch?v=lbwjS9iJ2Sw[/embed] 

"That's the Kind of Woman You Should Marry"

Mary Bailey spontaneously offers their honeymoon funds for the purposes of keeping the Savings and Loan open. She displays a beautiful, simple, great-hearted generosity.After that scene, my dad said to us, in an off-hand way, "Boys, that's the kind of woman you should marry."And I did.

My One Major Problem With the "Noah" Movie

 NOAHI loved the first 2 hours of Darren Aronofsky's?Noah. I have no problem with the creative liberties Mr. Aronofsky takes with the source material--in fact I loved his creativity. Below, I'll tell you what I appreciated. But first....Here's My Problem With?Noah?(no spoilers here):In a masterful way, the film's message couldn't be more?clear, true, or terrifying: humans are a violent, selfish, sinful race, and there is no hope for us. We cannot save ourselves.And then the final 18 minutes makes this point: "After the Flood, the good news is that humanity--led by Noah--now gets to save itself."See the problem?

  • Minutes 0-120: humanity is a mess and cannot save itself.
  • Minutes 121-138: humanity will now save itself.

Even artistically, the ending doesn't fit with the rest of the movie.In a very sad way, Darren Aronofsky's conclusion undermines what he has been trying to tell us and proves how deeply our delusion goes. "We are a mess and we will never be able to save ourselves....Unless we try really hard and save ourselves." This is the extent of our wisdom.The Great War began 100 years ago this summer. The best and the brightest of European culture and society were convinced that such a war was impossible, because humankind was now enlightened and rational. And then came the Somme.The last 100 years ought to have caused Mr. Aronofsky to be more cautious in his movie's conclusion, but the sad story of humanity is that we never learn.As I mentioned, I have no problem whatsoever with the major creative liberties Mr. Aronofsky took with the Genesis material. But, I do have a major theological problem with Mr. Aronofsky's ultimate conclusion. The Genesis account couldn't be clearer: humanity is just as messed up after the Flood as before.If the last 18 minutes were different (and it wouldn't have required much to change the final message),?Aronofky's?Noah would have been a great movie. As it is, I think it's one more example of humanity's problem. Here's What I Loved About the Movie (Spoiler Warning):

  • Noah's retelling of Genesis 1 to his family. The visuals that go along with his retelling are beautiful, interpreting the deep theology and poetry of the Creation account in ways I've never seen before.
  • "The Watchers." The Watchers are fallen angels, and though I was initially skeptical when they appeared on the screen, I quickly appreciated their part in the story. The Watchers are fallen angels not because they rebelled against God by wanting to take his place, but because they rebelled against God by wanting to help humanity too much. There is a lot of wisdom in that understanding of sin. Their curse is to become part of the earth, and so they appear as rock giants.
  • Noah's self-understanding. Noah sees himself as totally flawed and unrighteous and believes his only role is to steward creation, and then die.
  • Noah's family dynamic. I think the tension that Noah's devotion--obsession?--causes in his family rang true.
  • The Flood itself. Terrifying and utterly believable.
  • All the small, human details. The scene where Noah's family is in the Ark and hears the screams of those bereft outside? Wow.
  • Actually, I loved pretty much everything about the first 120 minutes of the movie....

 UPDATE:?Over at?First Things, Wesley Hill has the same problem with?Noah that I do, but says it better.